Monday Notes: UPDATES!

I’m one of those people who busies herself with all of the things when faced with adversity. So, while some people were in a worried frenzy last year, I was sitting at my laptop writing my life away. This is probably a form of escapism, but I don’t wanna get into that today. Instead, I want to update you on what my creativity yielded thus far:

Stories of Sport: I’ve already told you about this one, but I have to share again. During the beginning of 2020, I’m not ashamed to say I pushed my colleagues to complete a monograph. I’m not the kind of person who puts off projects or abandons them. If I say I’m doing something, then you can believe that it will manifest in some way. And if you said you’re helping, then I’m going to be on your tail, like “Let’s go!” It didn’t matter if we were facing a collective unknown, and it didn’t matter that there were global protests in the streets. I’m glad we persevered. We’ve received nothing short of high praise for a timely publication, and I’m pretty proud of it. My institution even ordered a copy for the library, which is now on hold because people are wanting to read it, something I never considered.

Tough Love: March 2021, one of my essays, “Tough Love” was curated with an organization called the Lungs Project. A close friend sent me their call for essays focused on all things love. At first, I wasn’t going to submit because I didn’t want to write about something sappy. I never do. But then, I had an idea to write about my grandmother and the way she interacted with me during childhood, adolescence, and young adulthood. Maybe you’ve heard of the phrase tough love? If not, it’s associated with raising someone in an abrasive way to toughen them up. Unfortunately, this was published and offered during a limited time, but as soon as I read what my author’s rights are, I’ll share it here if I can.

There’s Strength in Softness: Mid-May 2021, Raising Mothers published one of my essays called, “There’s Strength in Softness.” I wrote this last year, too, but I had nowhere to publish it. This is a frequent happening in my life. I’m compelled to write something, so I do, and then months (sometimes years) later, there’s a call and I’m ready with an essay. Anywho, when I saw Raising Mothers’ theme on tenderness, I knew I had the perfect writeup. This one is based how generational patterns persist.

But here’s the cool part: while I was preparing Strength for submission, I was a bit stuck as to how to end it. One day while practicing yoga, the instructor said something she always says, “Sthira-Sukha,” which means there’s strength in softness. That’s where the title came from and also how I knew this essay was destined to be public. This pub is one of my favs to date because during the process, the editor really pushed me to dig a little deeper and use narrative nonfiction to tell a story, as opposed to using the blogging skills with which I’ve become accustom. I worked hard for this one.

Good Enough: June 1, 2021, another Chicken Soup for the Soul (CSS) series I’m Speaking Now: Black Women Share their Truth in 101 Stories of Love, Courage and Hope will be available for purchase. In it, you’ll find an essay I’ve written called “Good Enough.” My story is about being an Affirmative Action hired prof who worked alongside an arrogant, white male, who didn’t know how to do his job. It may sound familiar because parts of it were first written on this blog. The beauty of CSS is that they don’t care if you published the work somewhere else; they’ll still publish it…and pay you. The other cool thing about this publication is they did a book trailer. And to my surprise, guess whose chapter is featured twice? Here it is, in case you’re interested:

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That’s it for my updates! Let me know if you purchase a book or read any of these works.

Monday Notes: Writing Endeavors®

Recently, I began an editing service business called Writing Endeavors®. While I’m happy for you to procure my services, what follows isn’t necessarily about the business. It’s more about the process of actualizing dreams.

People ask me all the time how I do fill_in_the_blank. The answer is simple. I just do it. Take this business for example. Over the years, friends have asked me to edit work for them. There have been times when I decline and pass the work on to someone else. Sometimes I’ve edited for free. Other times, I’ve worked more like an independent contractor; we create an agreement and the person pays me.

As recently as February, I edited a first-time book for a friend’s son. Shortly after, a thought occurred. The urge to begin my own editing service business flashed in my mind. I needed to stop passing work to colleagues and friends and do it myself…for a fee.

The next step was to tell Dwight. Announcing my plans to him somehow solidifies things. He’s been with me long enough to know that once I say it, then it’s as good as done.

What happens next is what I’ve learned to be the difference between myself and other people. I typically research how to do things while I’m doing it. For example, I didn’t know if I should create a business first, or trademark a name first? Well, after working with Legal Zoom, I found out that you create the business first. So, I did that. The business was created March 21^st.

Afterwards, I trademarked the business’s name. During that process, I learned the difference between the little TM symbol and the R in a circle sign. The first is something you can use, whether you registered the name or not. The latter means registered trademark and allows the owner to sue if someone else tries to use it.

More questions cropped up, as is common with on-the-job training.

Should I create a whole new website just for this business, separate from selling books and blogging? Should I pay for this website, or be comfortable with using an extension, like .wix? How about registering the business with the county? The state? The government? What’s required? When am I supposed to pay taxes on this business? I found all of that out…as…I…went…along.

In fact, I just started editing a client’s dissertation, while still in process of learning more business-related info.

I don’t want to paint an idyllic image. I’m not dancing through poppy fields while establishing a business. Functioning this way can sometimes be a tad stressful, like when the state notified me that I’d missed a deadline for reporting income, even though there was no income. But here’s the reality. I know that dreams might not materialize, unless I just begin. I know it’s important to just get going and trust that the rest will work itself out. I know this because it always does.

So, I have one question. What are you waiting for?

4 Things I Learned while Self-Publishing

#1 Outsource your cover design; however, be mindful about how much you pay. The same person who designed the Kwoted cover also created The Unhappy Wife cover. This time around, she charged $265. This is not what I expected for a simple eBook jpeg. But instead of complaining, I paid her for it and then learned about a site called Fiverr. On Fiverr, you can find anyone to do anything digital for you. By the time I was ready for a cover for the paperback, I simply signed up, listed an ad with these words: I need a 6×9 paperback cover for Lulu specifications, and then narrowed my choices down from international graphic designers. Someone I didn’t know produced the paperback cover in less than 48 hours for $15.00!!!

#2 Outsource your editor. I started to ask an English major friend to proof and edit The Unhappy Wife, but everything I’d read stated that this should be completed by a paid professional. I used a book called 2015 Guide to Self-Publishing in order to find an editor. The book lists several different editors by state. I vetted a few Florida ones through email in order to determine cost and efficiency. Each one offered a free/sample editing of the first 500-1000 words. Once I emailed the story, I compared editing style, personality and expertise. For example, the editor who charged $700 had a lot of industry knowledge and mentioned book characteristics that I wasn’t familiar with. Another editor who charged significantly less didn’t notice things like number formatting. I decided to go with someone in the middle, Erin Foster Books. She had a great personality, didn’t charge an arm and a leg, and offered two passes (read and edited twice).

#3 Outsource the formatting because it has to be precise. You probably can figure out the formatting yourself, but by the time I’d written a book, revised a book, and edited a book, the last thing I wanted to do was format a book. eBook formatting is so very finicky. It has to do with styles, style changes, making the book reflowable, etc. (big yawn). Paperback versions have to be formatted totally different than eBooks because whatever you send to your distributor is what will be printed, exactly as is. Take it from me; just have someone else do it. In my case, I asked Erin. She was wonderful and both books were published with no issues.

#4 Choose your publisher/distributor wisely. I chose Amazon because it’s the largest retailer of eBooks and authors earn 70% profit, which is the highest in the industry. But because I’m also not a fan of having all of my eggs in one monopoly basket, I chose Lulu.com to publish/distribute the paperback. Again, Lulu is known for paying the largest profit (as long as you sell from their site). This site also offers mass distribution to places like Barnes & Noble. Finally, Lulu prints books that look and feel like traditional books. I’m sure you know what I mean.

If you’re planning to self-publish a book, then I hope this information helps you in some way. If you’ve already self-published a book, then what else would you add? You know I’m all about helping one another!

6 Book Marketing Insights from Priscilla Goudreau-Santos

After I self-published Kwoted, it didn’t take me long to realize how much I’d underestimated the importance of marketing. As a result, I’ve spent a year researching different aspects of book marketing that might be helpful whether you plan to self-publish or go the traditional route. The following advice is based on an interview with publicist, Priscilla Goudreau-Santos. She has worked in communications for many years and has an extensive, well-rounded background in public relations, journalism, and marketing within diverse industries.

KEG:   What are the benefits of hiring a book-marketing publicist?

PGS:   One of the advantages of working with a publicist is that he or she can offer you needed exposure to media. Your publicist has the expertise to develop a list of media and bookstores that are best for you—saving time and energy. Publicists will also make the media calls for you. Although it’s necessary to make an investment in publicity, in the long run it’s much less expensive than traditional advertising and more credible. It also saves you time so you can focus on writing.

KEG:   What are the top three things you believe a good publicist provides to his or her client?

PGS:   When you interview potential publicists, ask them if they will regularly update you on their progress and provide you with information such as media lists, a schedule of media outreach, follow-up results, and any other outreach they may do for you. An experienced book publicist can be a valuable, effective partner who will offer education and direction, and can increase your book’s visibility in a very crowded, noisy field.

KEG:   What are some mistakes that you see self-published authors making when marketing themselves and/or their books?

PGS:   Oftentimes, authors don’t start with a plan. The first step is to determine your goals and expectations. Your book publicist is a resource and guide through all the myriad media outlets, but you are critical to your book’s success. Is your goal to sell a certain number of books? Or, is it to gain recognition of a cause that’s near and dear to your heart? The next step for authors is to start their marketing campaign well in advance of publication. I suggest that they learn as much as they can about publicity and marketing well in advance of their book’s publication date. A good resource is their publisher’s publicist or marketing manager. Once an author has determined her goals and expectations, and thoughtfully plotted a three- or six-month strategy, he or she can decide whether working with a publicist makes sense.

KEG:   Now that social media is a part of everyone’s lives, what do you see as the most important step in a social media campaign?

PGS:   Consistency. Use the channels that are most familiar to you and your fans. And, those that fit your demographic e.g. women ages 25-55. For example, if Facebook is a good tool in reaching your fans – one that you use frequently — this is a good place to start. If there are others that work well with your book topic such as Pinterest, use those in lieu of these or in addition to your preferred social media.

KEG:   How much should someone expect to pay for a publicist?

PGS:   The answer to that varies by which publicist and program you choose. I believe an effective campaign will vary from about $1,500 to $10,000 and might reach $15,000 depending on the scope of your marketing program and the results you hope to achieve.

KEG:   Is there anything else you’d like to add?

PGS:   As an author, remember that you’re in it for the long haul. Develop a campaign that reflects your values, is comfortable for you to implement, and that is sustainable over time. If you create a website or blog, make sure that you post to it regularly and that you include information that’s interesting to your readers apart from your book. Do this with your social media as well. The goal for all your online and traditional media is communication, and developing a following is all about being interesting. Thoughtful, funny and informational posts will go a long way in building loyalty.

Priscilla Goudreau-Santos specializes in book and author publicity. She owns Charlotte-based PR firm Priscilla Goudreau Public Relations & Marketing, http://www.priscillagoudreaupr.com, and is a partner in the author online platform, AllAbouttheAuthors.com. She serves authors and clients within diverse industries throughout the southeast including real estate and health care. You can reach her at 904-371-7751 or via email at priscillagoudreausantos@gmail.com.

Four Considerations as you Publish Beyond your Blog

 

Image. ©2016 All Rights Reserved K E Garland

Do you want to publish outside of your blog? If so, then here are four things that might help as you journey down that path.

Check Publication Requirements Research the publication’s rules about previously published stories. For example, an editor loved my Gratitude article but his strict no prior publication rule meant the original, which was featured on my blog, was a no-go. He, like most editors, wanted first rights. And even after he published a revised version, I had to wait 30 days before I could share it publicly. Other places won’t consider your stories, even if they’ve only been on your personal blog. So, if you plan to write for someone else, be discerning. You might want to start saving those really great pieces for other opportunities.

Prepare for Editing This might seem like common sense. Publications have editors and editors have processes. I guess what I wasn’t 100% ready for is someone else rearranging the beloved words to which I was inextricably tied. Also, unexpected was how one publication chose to run my entire moniker, instead of my pen name. I was like what the what? But I inhaled and exhaled. The message was bigger than the byline. Another publication asked for edits that took a few hours on top of the weeks that it had already taken me to research the unfamiliar topic. But again, I revised because the point of it all was greater than the extra time it took to double-check information.

Roll with Rejection Rejection is a huge part of writing. Although I’ve secured a few popular publications in the past, I’ve also counted twice as many rejections. And depending on where you submit, that’s what they’re called, rejections. But I don’t get caught up in them. Blogging helps with this part. Take that Breast Cancer Awareness article, for example. I was prepared with images and a publication date to post here. If the newspaper declined, then it would have been shared with each of you anyway. That’s how I roll with it. The comfort of having a blog allows me to go with the flow. No matter the outcome, I have a medium and trusted community.

Remember your Purpose What’s your purpose for writing in a public forum? My purpose is explicit. I want to use written words to promote discussion and nudge readers to think outside of societal boxes. One way to do that is to publish with bigger venues. They provide a wider audience. However, it’s super easy to get caught up in accumulating bylines. That’s not my overall goal. Reminding yourself of your specific purpose can keep you grounded and also connected to the larger objective.

Hope these help as you navigate the public writing terrain. Have you published beyond your blog? What else would you add?