Femonomic: Women Invite Crime

c02c27f8-1d50-440f-9def-29e3a1537457-1One of the best parts of blogging is meeting new people from around the world. This has been true for one woman I’ve followed, who is from India, Lovey Chaudhary. (Femonomic). I realized we shared similar ideas about women and social justice issues when she read and reviewed The Unhappy Wife four years ago. So, when she announced her book of poetry, Femonomic: Women Invite Crime, centered on raising people’s consciousness about how Indian women are (mis)treated, I was intrigued.

Poetry is sometimes stereotyped as flowery and light, but the poems found in this book are anything but. Although I knew Lovey’s background and stance, at first I was alarmed by how the book began. Titles like, “the fate of an unborn in womb” and “infanticide” introduce the reader to Indian culture where babies are murdered because they are not male children. But, I get it. The female species is undervalued at birth. The very idea of having a girl child is repulsive and unwelcomed. And, if girls are allowed to be born in this society, then poems like “acid attack cycle” demonstrate what could happen as they age. If you’re unfamiliar, then this link may provide background on this vile practice.

Another occurrence in this country is that crimes against women are rarely brought to justice because men continue to be in power in misogynistic and violent ways.

One of my favorite poems from her collection that shows the lack of consequence is “crime and punishment,” which I’ll share here:

one of many tainted times

the crime is not rewarded

with the retribution along the same lines

 

the archetypal excuses of the judiciary

and typical society

are silently soaked in sanguine saccharine

grinning gingerly

about legal implications and sentence

 

how ailing it is for you to drink

three cups of justice and two latest of equality

to hydrate pages with some ink while righteousness await

4f852cc4-b70e-4a8a-a4aa-162405a6ea41This poem speaks to me because of its universality. It demonstrates the injustices that many of us around the globe face. There doesn’t seem to be a real “justice system” for all, but rather a system that works for whomever is at the top of the power structure. I also think Chaudhary uses alliteration in a creative way. Silently soaked in sanguine saccharine sounds optimistic, especially because saccharine is sweet and sanguine can be positive, but the implication is that it isn’t. Injustices will continue as usual, not just for India, but for us all.

Chaudhary also asks rhetorical questions throughout, like this one, “Can the damage be undone for what our world has become” (p. 48).

This question and another poem, “plastic planet” is imperative for everyone. The Amazon fires and plastic floating in the ocean make me wonder the same thing. What can we do? Is it too late?

These poems are also inspirational. From self-love to anxiety, Chaudhary encourages the reader to get up and do more.

If you’re interested in poetry or any of the themes mentioned, then please purchase Femonomic: Women Invite Crime or follow her on these platforms:

Blog

IG

Twitter

Monday Notes: Update #3

I’m one of two sponsors for a POETRY CONTEST! That means that if you enter and win, then you will receive a copy of The Unhappy Wife and Daddy, among other prizes, like money.

poetry-contest-flyerI agreed to sponsor this poetry contest because the theme is self-care/self-love, which is something that I’ve been promoting for a few years now, either on the blog, through my books, or in personal action. I place high value on self-love and self-care, and if you’re a poet who does too, then please consider entering.

Also, I agreed to participate because I trust and follow the poetry contest’s host,  Yecheilyah Ysrayl and one of the judges, Lisa Tetting. They’re both fabulous bloggers and self-published authors whom I admire.

So, if you’re interested in submitting, then please follow the directions on the flyer, or click on it, which will direct you to the PBS blog for more information. But don’t wait too long. Entry submissions close July 31st.

Most of all, GOOD LUCK to all of you poets!

Monday Notes: Revolution (a Haiku) ✊🏾🕉✊🏾

Sometimes my brain thinks in Haiku. I cannot explain it, nor would I ever try. It just is. Here’s an example:

I’m walking around
with an OM tat on my arm,
promoting oneness.

But people challenge
this concept with constancy,
detaching themselves.

You’re white and I’m black.
He’s Jewish and she’s Muslim.
They’re poor and we’re rich.

Who cares? What matters?
I wonder as we bicker.
Who gains from such rifts?

img_4793

I know the answer.
It’s a rhetorical thought.
Hegemony rules,

if we allow it.
Otherwise, can’t we create
a new world order?

Revolution. © 2017 K E Garland. All Rights Reserved.

Feel free to add a verse. How do you think we can come to understand we’re all one? Do we need to try or will it just happen naturally?

Monday Notes: Haiku #3 (Love)

Haiku #3

img_4159Sometimes a Haiku comes to me as a result of a specific thought. I work through it in my Notes section until it’s as clear as possible. This one came from the phrase, “I can love that person…but from a distance.” This phrase always seemed not loving to me at all. Tell me what you think about the Haiku or the phrase.

 

Half a Haibun 1

…then there was that time I wrote a book and my new friend I met through blogging felt inspired to create half a Haibun. Ta Mek! I certainly appreciate it 🙂 Who’s Thom? You gotta get a copy of The Unhappy Wife and find out 😉

Work in Progress

Half a haibun a collaborative project between 10000hoursleft.wordpress.com and other bloggers part 1 - the unhappy wife with K E  Garland

The two bedroom apartment and the job I had were because of Thom. We built a life together: eating breakfast, driving to work, eating lunch, returning home, eating dinner. His reliable presence smothered me.

But the alternative was to return home.

“Now, will you marry me?”

Why not, I thought.

love’s blind artisan

stokes furnace, raising ashes

thirst’s empty vessel

brimming in complicity

Madame Pele’s dormant wrath

Tanka inspired by an extract from The Unhappy Wife, by Dr K E Garland. The book is a fictionalised account of the real lives of 12 women who are/were in unhappy marriages, and includes an afterword by relationship coach Anita Charlot. The extract is from Chapter 4, capturing the world of one of the ‘voiceless’ wives. I am currently reading my paperback copy and loving the insight into the characters and unique circumstances that have caused the dysfunction in each relationship. Kathy has done a great…

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